Monday, June 30, 2014

Composition, Balance and Visual Mass


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In previous articles I wrote about the concept of balance in relation to the colours orange and blue, and in relation to composition in the square format. Today I think it will be interesting to explore the concept of balance in relation to photographic composition in more depth.


Central composition


Black and white photo




This is a portrait that I created with a central composition. There are a couple of interesting things going on here. One is that the composition is virtually symmetrical. One half of the image is a mirror image of the other, with a few variations. In this case, that reinforces the sense of balance created by the central composition.



What happens if we crop the image to move the girl's face off-centre, closer to a third? Let's take a look. Here I've cropped it to the 4:3 aspect ratio:



Black and white photo




Do you see the difference? In this example the eye is encouraged to move around the frame more by the off-centre composition. Placing the girl's face off-centre has created a more dynamic composition.



The first version is about balance, the second is about being off balance and adding a kind of tension to the image. The subject is the same, but one simple variation in composition creates two different effects.


Tonal contrast


The portrait is also an interesting study in tonal contrast. The light tones of the face and scarf contrast with each other. Roughly one-third of the image is made up of light tones, and the rest dark tones. What we're looking at here is an example of what some photographers refer to as visual mass. Light tones pull the eye more than dark tones. Therefore, to create a balanced image, there needs to be more dark tones than light tones. If the ratio was around equal, the image wouldn't feel so balanced.



This is what happens if we crop the portrait to a square. The ratio of light to dark tones is about even. But the sense of balance between dark and light tones in the original has been lost:



Black and white photo




Here's another example of balancing the visual mass between light and dark tones:



Black and white photo




Now, here's another example to illustrate the same concept:



Black and white photo




The photo is split into three bands. The strips of dark tones at the top and the bottom are balanced by the band of light tone in the middle.



There are other ways this image is balanced too. The mountains occupy the bottom part of the frame, and are balanced by a large expanse of stormy sky. The mountains have more visual mass than the sky, therefore the photo benefits from having more sky in it.



The telegraph pole in the bottom right third is the focal point of the image. It has a lot of visual mass, assisted by its placement on the thirds. The visual mass of the telegraph pole is so strong that even at this small size it is balanced by the rest of the image.



Finally, an image with a composition that at first glance seems to be at odds with what I said earlier about tonal balance:



Black and white photo




In this image, the light tones of the salt flats are balanced by the brooding dark tones of the mountains and sky in the distance.



The thing about visual mass and balance is that they are difficult concepts to condense down into rules like the rule-of-thirds. Every scene is different and the best composition may depend as much upon your intent (ie. would you like a balanced image, or a less balanced one with more dynamic tension?) as it does upon the subject.



One of the best ways to improve the composition of your images is to read as much about these concepts as you can, absorb them, and then compose according to 'feel'. Does the image feel right when you look through the viewfinder? As your understanding of composition improves, so will your photos.


Mastering Photography


Black and white photo




My latest ebook, Mastering Photography: A Beginner's Guide to Using Digital Cameras introduces you to digital photography and helps you make the most out of your digital cameras. It covers concepts such as lighting and composition as well as the camera settings you need to master to take photos like the ones in this article.



Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.



Composition, Balance and Visual Mass


5 Milestones for dPS This Week!


This week has been an exciting week around dPS headquarters as we've celebrated a number of milestones - all of which are thanks to you our amazing community of readers!



Let me share a few of them with you!


1. 750,000 Newsletter Subscribers!


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On Monday we noticed that our newsletter passed the magical 750,000 subscriber mark! Back in 2006 when I started the dPS newsletter so that a family member could get our latest tutorials (because he didn't know how to subscribe to our RSS feed or wasn't on Twitter) I had no idea how important our newsletter would be to three quarters of a million people!



Our weekly newsletter is the #1 way that people get updated on our latest free tutorials and if I ever happen to be late in sending one - boy do we hear about it from our subscribers - it is much anticipated each week!



If you're not a subscriber yet - just add your email address below and we'll send it out to you each Thursday!





We can't wait to hit the million subscriber mark - we'll have to think of a way to celebrate that one!


2. 18,000 Pinterest Followers!


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On Tuesday we our Pinterest account had it's 18,000th follower. While there are plenty of bigger accounts around we're really proud of what we've built on Pinterest.



Jade - our Pinterest Guru - has set up 170 different 'boards' - each one dedicated to a different category of photography and each day she hunts for and shares some great photographic content from around the web.



So far she's shared over 7000 great tutorials! Just be warned - if you follow us on Pinterest you may never get any work done again - it's an amazing resource!


3. 170,000 Facebook Followers


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On Wednesday we celebrated our 170,000th Facebook follower!



Our Facebook page is a great place to get the latest updates from our blog as well as connect with other readers.



PS: you can also follow us on Twitter. We're approaching the 100,000 milestone there!


4. New dPS Redesign Preview


On Thursday we got a preview of the new dPS redesign that our design and development team have been working on. We're still a few weeks away from launching it fully but we are REALLY excited by how it is shaping up.



The new design will be great for viewing on your mobile phone (a much requested feature, has an improved comments section, some new gallery features and is a lot more colourful to look at. We think you'll like it.



We can't show the full thing but here's just a teasing glimpse of what's to come! It's taken from our new front page.



Dps



5. More Great Reviews of our Landscapes eBook


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It's been 9 days since we launched Living Landscapes and we've been overwhelmed by the amazing feedback we've been getting about it.



Here's another comment left on the blog yesterday from one of our readers - Robin Grant:



I bought this eBook last week.



It was the first eBook I've ever bought and I was pleasantly surprised how much I enjoyed reading it on my iPad. Todds photos are amazing (I am seriously thinking about booking a trip to New Zealand) and he writes really clearly.



I've already taken my camera out of town to experiment with some shots and can see my photos are improving already. Thanks for writing this dPS.



Save 33% on Living Landscapes and go into the draw to win a great $1500 photographic prize (lenses and bag) when you pick up a copy of Living Landscapes today.


Thanks to our Readers


None of the above would have been possible without our amazing readership. Thanks so much for being a part of what we do and for sharing us with your friends.



Thanks!



Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.



5 Milestones for dPS This Week!


Sunday, June 29, 2014

Panasonic Lumix DMC-G6 Review


Panasonic Lumix DMC-G6 Review.jpg




If it looks like a DSLR, feels like a DSLR, works like a DSLR and takes pictures like a DSLR, it probably is a DSLR. Izznit?



Nup. This 'un is a MILC - mirrorless interchangeable lens camera ... one of the many models now proliferating on the market like rabbits.



In reality, the major difference between this MILC and true blood DSLRs is that, with the former, the top Live viewfinder presents an electronic view of the shot you're about to fire, while the DSLR delivers an optical view, thanks to a prism and a series of mirrors ...just like the ole time film cameras used to do!



True, the electronic view is not as razor sharp as the optical, it does look a bit 'electronic' and very alike to the view delivered on the rear LCD screen, but when you're outdoors, as many of you know, the rear screen can be washed out in bright light, so Live View to the rescue.

Panasonic Lumix DMC-G6 back.jpg




Panasonic Lumix DMC-G6 Review Top.jpg




The review camera was furnished with a Panasonic-made G Vario lens of f3.5/14-42mm specs.



The G6 is a welcome addition to the lineup. In stills, it can pull a maximum image size of 4608 3456 pixels, leading to a 39x29xcm print.







In video capture, it can shoot AVCHD or MPEG4 formats at Full HD 1920 1080 pixel resolution using a Class 4 card or better. And you can shoot stills while recording video. Auto focus tracking locks on the subject and maintains focus even as it moves.


Panasonic Lumix DMC-G6 Handling


It sure feels like a DSLR! And it is a comfy feel in the hand, mostly thanks to the pronounced speed grip and overall good balance.



Top deck controls: there's a hot shoe on top centre to accept an auxiliary flash (in addition to the lower powered internal flash beneath the hot shoe).

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Panasonic Lumix DMC-G6 Menu 1




Panasonic Lumix DMC-G6 Menu 2




Farther right is the mode dial with positions for PASM, creative video, two custom modes, panorama, a scene guide and a creative control mode. The scene guide offers 23 sample pictures shot by pro photographers which you can use as a helper in making your own shots ...like silky skin, glistening water etc. The creative control mode has 19 filters (old days, sunshine, retro, etc. The effect parameter of each mode is adjustable.



And, for what it's worth, the camera can only shoot panos while held in an horizontal attitude, unlike the methods that some other cameras can deliver.



If you want to shoot in auto mode you move your finger farther right and tap a tiny red button marked 'iA'. The power lever is set into the side of the mode dial. Close by is the familiar video record button, hemmed in by the mode dial, power lever and intelligent auto button ...it is not the most ideal position for this button and takes quite a bit of precise pressure to operate.



Forward on the top deck is a control I had not seen before: a lever that could be used in either of two ways: it could drive any exposure compensation you desire by +/- five f stops; or with specific power-driven lenses, it can operate the zoom. Additionally, just to the rear and over the corner edge of the camera is a control dial which adjusts aperture or shutter while in those modes.



Rear: the 7.6cm LCD touch screen is a vari-angle screen that can be rotated 180 degrees laterally and 225 degrees vertically. At the extreme left is the internal flash release and a function button that switches between top and rear finder; to the right are two more function buttons. Flanking the screen are the replay button, another for display options plus two more function buttons. The jog dial has positions for menu; ISO setting; direct setting of options for AWB, colour balance etc; continuous shooting and self timer; AF options.



A 3.5mm terminal is set into the camera's right side to accept an external microphone.



Overall, not a fully packed brigade of external controls. The viewfinder menu is not overly complex.



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Seats 2.JPG




Trees 2.JPG



Panasonic Lumix DMC-G6 Features


A Wi-Fi connection allows users to connect the G6 to their smart phone or tablet at a touch, while still and movie shooting can be driven remotely from the smart phone screen.



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Roof retouched.JPG




And a couple of unusual features: time lapse and stop motion video shooting; a novel Clear Retouch function lets you edit out unwanted parts of a picture after shooting by simply tracing over them on the monitor with a fingertip; I tried this and it works (above)! But only with large areas of unwanted image data: don't think you can remove wicked Uncle Ted from a family group shot!


Panasonic Lumix DMC-G6 ISO Tests


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Panasonic Lumix DMC-G6 ISO 400.JPG




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Panasonic Lumix DMC-G6 ISO 1600.JPG




Panasonic Lumix DMC-G6 ISO 3200.JPG




Panasonic Lumix DMC-G6 ISO 6400.JPG




Panasonic Lumix DMC-G6 ISO 12800.JPG




Panasonic Lumix DMC-G6 ISO 25600.JPG



It's only at ISO 6400 that the image begins to degrade. Much the same at ISO 12800.



By ISO 25600 the show's over: much noise, artefacts and a washed out image.


Panasonic Lumix DMC-G6 Review Verdict


Quality: above average.
Why buy the Panasonic Lumix DMC-G6: looks and works like a DSLR.
Why not: a bit complex for the raw amateur.



If you get the feeling that this camera attempts to bridge the needs of the enthusiast and the dabbler, you're right. Just check out the creative and scene guides.



However, I would not be unhappy to use it on an advanced shoot!


Panasonic Lumix DMC-G6 Specifications


Image Sensor: 16.1 million effective pixels.
Metering: Multiple, centre-weighted and spot.
Effective Sensor Size: Four thirds 17.3 13.0mm CMOS.
Lens Factor: 2x.
Compatible lenses: Micro Four Thirds.
Exposure Modes: Auto, Program AE, shutter and aperture priority, manual.
Shutter Speed: 60 to 1/4000 second; flash sync 1/160 sec.
Burst Speed: 7 fps.
Memory: SD/SDHC/SDXC cards.
Image Sizes (pixels): 4608 3456 to 1712 1712. Movies: 1920 1080, 1280x720p, 640 480.
Viewfinders: Turret finder: 1,440,000 pixels. 7.6cm LCD screen (1,040,000 pixels).
File Formats: JPEG, RAW, JPEG+RAW, AVCHD/MPEG4, MPO (3D).
Colour Space: Adobe RGB, sRGB.
ISO Sensitivity: Auto, 160 to 12800 (25,600 with boost).
Interface: USB 2.0, AV, HDMI mini, WiFi, DC input.
Power: Rechargeable lithium ion battery, AC adaptor.
Dimensions: 122x85x71 WHDmm.
Weight: Approx. 390 (inc battery).
Price: Get a price on the Panasonic Lumix G Series DMC-G6 with 14-42mm II Lens Kit or body only.



Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.



Panasonic Lumix DMC-G6 Review


Water Landscapes: Weekly Photography Challenge


Last week's sunset/sunrise landscapes challenge was really popular with some beautiful images being submitted so we're going to continue the 'landscape' theme going (to coincide with the launch of our Living Landscapes eBook) and this week are issuing the challenge of photographing a landscape image with 'water' in the scene.



So this week we'd love to see some shots with rivers, lakes, oceans, streams and waterfalls (or anything else you can imagine up).


The first page of our 'photographing water' section of the Living Landscapes eBook.



The first page of our 'photographing water' section of the Living Landscapes eBook.



Todd has a section on shooting water in the eBook but whether you've read it or not we'd LOVE to see your shot!



Once you've taken your 'Water Landscapes' photos upload your best ones to your favourite photo sharing site either share a link to them even better - embed them in the comments using the our new tool to do so.



If you tag your photos on Flickr, Instagram, Twitter or other sites with Tagging tag them as #DPSWATER to help others find them. Linking back to this page might also help others know what you're doing so that they can share in the fun.



Also - don't forget to check out some of the great shots posted in last weeks Sunrises and Sunsets challenge - there were some great shots submitted.



Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.



Water Landscapes: Weekly Photography Challenge


Saturday, June 28, 2014

Landscape Photography by Janek Sedlar


001 landscape photography janek sedlar Landscape Photography by Janek Sedlar




Collection of creative landscape photography by Janek Sedlar from the Czech Republic.





002 landscape photography janek sedlar Landscape Photography by Janek Sedlar



003 landscape photography janek sedlar Landscape Photography by Janek Sedlar



004 landscape photography janek sedlar Landscape Photography by Janek Sedlar



005 landscape photography janek sedlar Landscape Photography by Janek Sedlar




More Images



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