As most of my readers know I’m not very adept at Photoshop and prefer to use Lightroom and Nik Software’s plug-ins to “finish” my images. When Lightroom was first introduced post-capture processing was somewhat limited but in LR3 Adobe has made it possible for me to process over 95% of my shots without a round-trip to Photoshop.
I took the Touch of Color shot a few weeks ago during a late evening shoot at Buescher State Park near Smithville, Texas. The late afternoon and early evening clouds looked very promising for a sunset shoot but most dissipated in the last hour of daylight. For folks living in central Texas this is a common occurrence in the summer.
Having little drama to capture I decided to see if I could get a few shots just after sunset but before twilight. The calm waters of the small lake in Buescher SP created an almost perfect mirror reflecting the trees, clouds and sunlight. This type of scene creates a wonderful symmetry that can transform a fairly dull scene in to a very nice composition. Not a great exposure, but one that makes a nice starting point.
Step 1: Normalized
While many photographers prefers to start out with a “zeroed” file, I almost always begin with Lightroom 3′s default settings which include brightness & contrast as well as daylight white balance. It’s just a place to start so it doesn’t have to be perfect.
Step 2: Basic Settings
My next step is to adjust the Basic settings such as White Balance (usually set for Daylight depending upon the image), Clarity (which adds some wonderful mid-tone contrast) and Vibrance (which is more subtle than adding saturation).
I generally adjust the White Balance to somewhere between 5000K and 5500K in Lightroom to make the images match what I remember seeing. This is a key step in creating the mood you want in the image.
At this point in my workflow, I'll also adjust the Exposure, Recovery, Brightness and Contrast settings until I find the right exposure balance (lights and darks) and tone (color gradations) for the image. I may spend as little as ten minutes or as much as several hours trying different combinations until I achieve the look and feel I want.
Making the Basic Adjustments
Step 3: Tone Curve
Next I generally adjust the Tone Curve by setting the Point Curve to Medium or Strong which adds contrast to the entire image. Notice how I’ve set my “Shadows” slider to bring back some detail in the deep shadows in the trees. More on this later.
Adding Contrast
Note: It’s important to remember Ansel Adams’ Zone System. To make a scene look realistic you need some bright whites and pure blacks in the shade, so a little “clipping” in the histogram is perfectly acceptable.
Step 4: Luminance
My next "tweaks" to the image are done by adjusting the color Luminance settings. This is where my fine tuning is done to create drama in my images. In this case I reduced the luminance of the red, orange and yellow tones to add some saturation in the sky but increased the luminance values for the greens to make the foliage stand out in the shot.
Color Luminance Adjustments
Step 5: Saturation
I don’t normally mess around with the Saturation settings but in this case it was necessary to creating the mood of the final image.
Color Saturation Adjustments
Step 6: Local Adjustments
As you can see in the next few screenshots I made extensive use of the adjustment brush and graduated filter to create “depth” in the scene and to highlight the trees to catch the viewer’s eye. One thing to remember is with any of the local adjustment tools you have incredible flexibility in what adjustments to apply.
Using the Adjustment Brush for Creating Highlights
Graduated Filter Adjustments
More Graduated Filter Adjustments
The Final Result
I’m fairly pleased with the final results considering how dull the sunset and clouds were in the raw file. It’s not my normal way to processing images but LR3 makes it very easy to experiment to see what works and what doesn’t.
A Touch of Color – Buescher State Park, Texas
Copyright 2010 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 17-40mm f/4L USM lens tripod mounted. The exposure was taken at 29mm, f/16 for 1/2 second at ISO 100 with a Singh-Ray warming polarizer filter. Post capture processing was done in Adobe’s Lightroom 3.
Click on the image above for a larger version.
View Location on Panoramio & Google Earth: A Touch of Color – Buescher State Park, Texas
Filed under: Photography Tagged: Adobe Photoshop Lightroom 3, Buescher State Park, Canon, Canon 5D Mark II, Landscape Photography, Nature Photography, Photography, Texas Hill Country, Texas Landscapes
